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''Early Netherlandish Painting, Its Origins and Character'', is a 1953 book on art history by Erwin Panofsky, derived from the 1947-48 Charles Eliot Norton Lectures. The book had a wide impact〔Shone, Richard and Stonard, John-Paul, eds. ''The Books That Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss'', chapter 7. London: Thames & Hudson, 2013.〕 on studies of Renaissance art and Early Netherlandish painting in particular, but also studies in iconography, art history, and intellectual history in general. The book is particularly well-known for its iconographic treatment of Van Eyck's ''Arnolfini Portrait'' as a kind of marriage contract. The book remains influential despite its reliance on black-and-white reproductions of paintings, which led to some errors of analysis.〔''The Books That Shaped Art History'', p. 95〕 ''Early Netherlandish Painting'' shares its title with an earlier book by Max J. Friedländer, a fact obliquely acknowledged at the beginning of the preface.〔''Early Netherlandish Painting'', p. vii〕 ==References== ;References ;Sources *Panofsky, Erwin. ''Early Netherlandish Painting, Its Origins and Character''. Cambridge: Harvard University Press, 1953. * *Reprinted in paperback as a Harper and Row "Icon Edition," 1971. *Holly, Michael Ann. ''Panofsky and the Foundations of Art History.'' Ithaca, N.Y.: Cornell University Press, 1984. *Podro, Michael. ''The Critical Historians of Art.'' New Haven: Yale University Press, 1982. *Shone, Richard and Stonard, John-Paul, eds. ''The Books That Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss''. London: Thames & Hudson, 2013. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Early Netherlandish Painting (Panofsky)」の詳細全文を読む スポンサード リンク
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